V/A003: E.S.P. TV "LIFESTYLE GURU" #3
JILL KROESEN: HOW TO COPE WITH A PSYCHOPATHIC PRESIDENCY
Edition of 50
Hand cut lathe recording on lacquer with
laser engraving. Full color gatefold and broadside insert.
The title says it all. Jill Kroesen delivers tips to avoid becoming prey under a psychopathic presidency.

V/A003: E.S.P. TV "LIFESTYLE GURU" #3
JILL KROESEN: HOW TO COPE WITH A PSYCHOPATHIC PRESIDENCY
Edition of 50
Hand cut lathe recording on lacquer with
laser engraving. Full color gatefold and broadside insert.
The title says it all. Jill Kroesen delivers tips to avoid becoming prey under a psychopathic presidency.

V/A002: E.S.P. TV "LIFESTYLE GURU" #2
BEN VIDA : SOFT SYSTEMS MUSIC
Edition of 50
Hand cut lathe recording on 7" lacquer with laser engraving.
Full color gatefold and broadside insert.
Soft Systems Music uses facial recognition software as a compositional tool to sonify the smile.
Vida then transforms the expressions of smiling actors into what he calls a "soft system”—a blend of the human and algorithmic, in which any subtle motion alters the composition.
This work debuted in his 2016 exhibition, [SMILE ON.] ... [PAUSE] ... [SMILE OFF.] and was later adapted to a live performance for E.S.P. TV's "Lifestyle Guru" event in 2017.

Victoria Keddie | DRIFT CHOIR
May 1 - 30, 2025
Opening Reception | May 2, 5-8pm
Drift Choir is a transmission-based system that explores human connection beyond conventional communication models. Over 30 days, it connects locations in Athens, New York, Berlin, and Bogotá through a continuous exchange of sound and image, emphasizing the small-scale, reciprocal, and intimate over the distant, instantaneous, and consumable. The system does not exist to disseminate information on a large scale; instead, it fosters a closed-circuit ecology where listening, watching, and responding form the core of participation.
From May 1 to 30, 2025, Victoria Keddie will link four locations—New York (Various/Artists), Berlin (Liebig 12), Athens (Stellage), and Bogotá (TBA)—through a continuous exchange of sound and image.
The project evolves through participation. Artists, musicians, and writers from her creative community shape the system, which then branches out to involve those within each localized community through live interventions, activating dialogues between locations. A musician in Berlin may layer a drone composition over the ambient noise of Bogotá. Simultaneously, a vocalist in Athens responds to the shifting acoustics of a space in New York City. Participants also engage through shared programming—live translations shift voices between languages, and a networked jukebox allows people to dial in and listen collectively. Informal exchanges across locations foster moments of shared presence between places. These interactions transform the system into a site of exchange rather than passive reception, reinforcing the relational and intimate over the distant and… detached.
As part of Drift Choir, "Stay Tuned" assembles a choir of voices between 1000 Hz (broadcast tone) and 200 Hz. Keddie invited a series of people to participate by singing a tone that resonates within their own range, creating a sonic field of layered voices that blend into the evolving transmission. Participants recorded themselves singing, focusing on listening and responding to the sound rather than achieving tonal perfection. The playback becomes a thick, shifting choir of voices—gorgeous and imperfect, moving in and out of tune. The resulting composition thickens the sonic dimension of Drift Choir, where recorded voices merge with environmental noise, radio frequencies, and live transmissions, blurring the boundaries between human presence and planetary signals.

Victoria Keddie's work uncovers hidden narratives within ordinary artifacts and spaces, emphasizing their role in shaping our collective story. The examination of acoustic phenomena and language are recurring themes in her work. Keddie’s current projects navigate the acoustic complexity of phonology and the sounding of speculative architecture.
For over a decade, Keddie was Co-director of E.S.P. TV, exploring the televisual medium for performance. Keddie has performed and exhibited internationally. Recent fellowships include the NYSCA/NYFA for Music/Sound (2022), the Max Planck Institute for Empirical Aesthetics (2023), and the Bemis Center for Contemporary Art, Sound Art, and Experimental Music Fellowship (2024). Keddie was a highlighted speaker and performer at the Salon Sophie Charlotte, Berlin-Brandenburgische Akademie der Wissenschaften in January, 2025.
Video works are distributed through Lightcone (FR) and The Filmmakers Co-op (US).
Sound work released with Raster Media (DE) Chaikin Records, (US), and Fridman Gallery (NYC/US)